Hailed “charming as all get-out” by Opera News Online for recent performances as Adina (L'Elisir d'Amore), Angela Cadelago made her professional debut as Adele (Die Fledermaus) in 1999. Her subsequent appearances on the operatic stage have included Norina (Don Pasquale), Rosina (Il Barbiere di Siviglia), and the role of Alba in the West Coast premiére of Robert X. Rodríguez’ La Curandera – to further critical acclaim: “Cadelago is especially engaging, as a singer and as a comedienne.”

     Engagements for the 2008-2009 include Susanna in Le Nozze di Figaro with Pacific Repertory Opera, and all four heroines of Offenbach's Les contes d'Hoffman with Berkeley Opera.

     In the 2007-2008 season, Ms. Cadelago joined the Carmel Bach Festival as a 2007 Virginia Best Adams Fellow, and went on to serve as understudy to both Heidi Grant Murphy and Lisa Saffer, in Mozart's Il Re Pastore with Maestro Nicholas McGegan and Philharmonia Baroque Orchestra.

     A native of California’s Napa Valley and highly regarded San Francisco Bay Area artist, San Francisco Classical Voice has exclaimed Ms. Cadelago’s performances to be "consistently wonderful…the soprano also has that ineffable quality that separates good from something better; she definitely has 'it'....effortless, bright, spot-on singing."

     A Metropolitan Opera Regional Audition finalist, Ms. Cadelago has appeared in recital both in Italy, at the Spoleto Festival dei due Mondi; and in Denmark, as a featured student of Ileana Cotrubas. In the United States, Angela has appeared as a soloist with orchestras such as the Young Musicians Foundation Debut Orchestra, and the Oratorio Society of Queens, in works such as Mahler's Fourth Symphony, Handel's Messiah, many cantatas of J.S. Bach, and many works of Mozart, including the Regina Coeli, Mass in C, Mass in c minor, and Requiem. Most recently, Angela shared the stage with baritone Donnie Ray Albert in Mendelssohn’s Elijah with the Master Chorale of South Florida.