Hailed "charming as all get-out" by Opera News Online and as a "virtuosic...strong and versatile soprano" by the San Francisco Chronicle, Angela Cadelago most recently made her debut as the doomed heroine of Donizetti's Lucia di Lammermoor with Festival Opera, and "impressed from the opening scene...opera lovers will be talking about her Lucia for a long time to come" (San Jose Mercury News).

Ms. Cadelago's other appearances on the operatic stage have included Olympia (Les contes d’Hoffmann), Adina (L’Elisir d’Amore), Susanna (Le nozze di Figaro), Norina (Don Pasquale), Adele (Die Fledermaus), Rosina (Il Barbiere di Siviglia), and the role of Alba in the West Coast premiére of Robert X. Rodríguez’ La Curandera.

With a special affinity for music of the Baroque, Ms. Cadelago joined the Carmel Bach Festival as a Virginia Best Adams Fellow in 2007. 2011 engagements included Handel's Messiah with The Oratorio Society of Queens, J. S. Bach's The Passion According to St. Matthew with the La Jolla Symphony, and the role of Romilda to Paula Rasmussen's Xerxes (Handel) with Berkeley West Edge Opera, conducted by Maestro Alan Curtis.

A native of California's Napa Valley and highly regarded San Francisco Bay Area artist, San Francisco Classical Voice has exclaimed Ms. Cadelago's performances to be "consistently wonderful…effortless, bright, spot-on singing...the soprano also has that ineffable quality that separates good from something better; she definitely has 'it'....."

A Metropolitan Opera Regional Audition finalist and 2010 Young Artist with Opera Santa Barbara, Ms. Cadelago has appeared in recital both in Italy, at the Spoleto Festival dei due Mondi; and in Denmark, as a featured student of Ileana Cotrubas. In the United States, Angela has appeared as a soloist with orchestras such as the Young Musicians Foundation Debut Orchestra, in works such as Mahler's Fourth Symphony, and Barber's Knoxville: Summer of 1915.